People do not normally visit Barcelona for its military history. It’s more associated with Catalan culture, football, art, architecture, tapas bars, beaches and clubs. But it also has some interesting military history, starting with the legend of its foundation by Hamlicar Barca, the Carthaginian General who fathered Hannibal, and the archaeological evidence of the Roman Colonia founded for ex-Legionaries. There are at least three episodes from its past which are well worth exploring.
The most visible is the legacy of the city’s role in the Spanish Civil War when it was a staunch supporter of the Republican side. The army’s coup attempt in the city in 1936 was defeated by the armed trade union militia, paradoxically mainly by well organised anarchists. The city became the capital for the Republic after Madrid came under ground attack. One of its most popular streets, the Ramblas, became the front line in the civil war within the civil war between the Stalinist, Trotskyist and anarchist militias. The British Volunteer, Eric Blair was stationed on the rooftops on the Ramblas. His experiences and disillusionment became the inspiration for the works he published as Animal Farm and 1984 under the name George Orwell.
The bitter and sad story of the Spanish Civil War deserves to be better known. It is much more complicated than a simple story of good versus evil or communists against fascists. The evidence of the savagery and cost of the war is visible across the city. The bomb splintered façade of the church of Sant Felip Neri is witness to the deaths of 42 civilians, mainly children, when Italian aircraft bombed the city in March 1938. The damage to the Gaudi Church of the Sagrada Família and the barren church interiors are a reminder of the bitter anti clerical passions among the Republicans. The names in Fort Montjuïc mark the cells where Republican political leaders were held, tortured and executed, in Franco’s post war campaign to exterminate political opposition. It is still a sensitive topic across Spain, and avoided in the aftermath of Franco’s death, while the country made a transition to Democracy and EU membership.
The Spanish Civil War is a case study with lessons for the modern world. The debate about whether, when and how the world should intervene in a civil war is a live and current concern with images from Egypt and Syria in the media.
Fort Montjuïc on the hill south of the city and port was key to the defence of the city. It was the site of the oppida, the pre Roman site. In the Catalan wars of the 1640s the hill was fortified by the inhabitants and key to protecting the city from attack. In the war of Spanish
Succession 1705 Barcelona surrendered after the Anglo imperial forces assaulted the fort and it played a key part in the recapture of the city by the Bourbons in the siege of 1713-14. The fort is in an excellent position and well preserved, with coastal artillery batteries with C19th and C20th guns. The fort held a military museum assembled in the Franco era until 2009, when the collection was disbursed, which may itself indicate the sensitivity of the Civil War. The fort can be reached by a combination of cable car and funicular railway from Parallel metro, or via the cross harbour cable car from Barceloneta, by bus or walking.
The city’s maritime museum is a gem with links to one of the most important naval battles in history. The museum is in the old Royal Catalan and Spanish naval ship yard where merchant and war ships were built in a Gothic stone building. The museum contains a replica of the 235 tonnes, 60m “Real,” the galley which served as the flagship of Don John of Austria, at the battle of Lepanto in 1571. The original Real had a crew of 400 sailors and soldiers in addition to 290 oarsmen and was armed with three heavy and six light cannons.
The battle of Lepanto was one of the largest and most significant naval battles in history and took place in the Ionian sea off Greece on 7th October 1571. 212 ships of the Holy League (Spain, Venice and the Papal states) under Don John, manned by 28,500 soldiers and C 25,000 sailors and oarsmen faced 250 Turkish ships manned by 31,400 soldiers and 50,000 sailors and oarsman under Ali Pacha. This is more ships and men than took part in the largest naval battles of Jutland (1916) and Leyte Gulf in the C20th World Wars and approximately eight times as many ships and men as took part in the famous battle of Trafalgar (1805)
At Lepanto the Real engaged the Turkish galley Sultana, flagship of Ali Pacha in deck to deck combat. The Spanish troops boarded the Sultana and after about an hour of bloody fighting captured her. Ali Pacha was severely wounded by musket fire, fell to the deck, and was beheaded by a Spanish soldier. His head was displayed on a pike, severely affecting the morale of his troops. The Real captured the “Great Flag of the Caliphs” and became a symbol of the victory at Lepanto.
The battle was a decisive victory for the Holy League. The Turks lost 80 ships sunk and 130
captured, with the loss of 20,000 Turks killed, captured or wounded and the release of 12,000 Christian galley slaves. One of the c.7,500 Holy League casualties was Miguel de Cervantes, the author of Don Quixote. The battle ended Turkish naval supremacy in the Mediterranean and inspired paintings and poetry. Barcelona Cathedral contains a further artefact from the battle of Lepanto, the Christ of Lepanto, carried in on a Spanish Galley. The body of Christ is supposed to have moved to avoid cannon shot during the battle!
Galley warfare of slaves at the oars, and hand to hand combat may seem archaic to Britons whose image of naval warfare is based on the kinds of sailing ships used by sea dogs from Drake to Nelson. But the battle of Lepanto took place 26 years after the English carrick, the Mary Rose was lost while engaging French galleys in the Solent and only seventeen years before the Spanish Armada.
The nearest Metro is Drassanes close to the Colon which commemorates the return of Christopher Columbus to Spain after his first voyage and reception by Ferdinand and Isabella. The Museum café is in a quiet garden with a fish-pond and is a good place to contemplate the war galleys which dominated naval warfare in the Mediterranean for over two millennia – or to take a break from sight seeing.
If you are interested in travelling to battlefield heritage in Barcelona or elsewhere in Span contact me via Baldwin Battlefield Tours
PS Hitler fought in Ypres in 1914. The Battlefield Trust is organising a fund raising event at lunchtime on 10th September 2013 with a lunch and a talk given by Col (retd) Christopher Newbould on the British Army at Wipers. Details here.
The Aisne battlefields are in some ways a forgotten corner of the Western Front. Most British visitors to the Western Front tend to focus on the battlefields of Flanders and the Somme, or hurtle across it en route to Verdun, the iconic French battle. Yet the battlefields in the Aisne, the bordering department south of the Somme Region, play a significant part in the development of the Western Front, have a special place in the story of the British Expeditionary force and are the resting place of several thousand British soldiers.
The Department of the Aisne forms an inverted triangle with St Quentin near the top left corner and the town of Château Thierry near the base. The northern half of the department is part of the Picardy plains. The southern half is much hillier and cut by the Oise, Aisne and Marne rivers flowing East to West. Battlefields tend to be determined by physical geography rather than administrative regions. Thus the department plays an significant role in several battlefields, only one of which takes its name from the department.
THE OTHER SOMME BATTLEFIELD
There are geographic and commercial reasons why British battlefield tourists tend to miss out the Aisne. The Somme is that bit closer, and even then most British visitors focus on the battlefields around Albert, the site of the dramatic and costly first day of the Somme, and popularised in literature from Siegfried Sassoon to Sebastian Faulks. There has also been a major investment in the Somme in heritage tourism, from the development of the Thiepval interpretation centre, to the establishment of the Museum of the Great War in Peronne, and there is the well organised support for British tourists and the tourist trade. There is a risk though, that the focus on that which is easiest to visit distorts our understanding of the history and what it means.
The Northern part of the Aisne department centres on the town of St Quentin. This area tells a different story of the battles we know as the Somme. The most obvious features are the remains of the Hindenburg line, the fortified line created due to the high cost to the Germans of the battle of the Somme. We don’t often see the 1916 Somme battle as a “victory”. The huge investment in developing the Hindenburg line and the spiteful destruction of everything of possible value in the land they evacuated indicates that the Germans saw the Somme as a defeat. This area included the sites of actions in the advance to the Hindenburg line in March 1917. The village of Francilly-Selency includes reminders of this in the monument to the 2nd Battalion the Manchester Regiment which liberated the village in March 1917, in the action during which one of their officers, the poet Wilfred Owen, was wounded.
If we relied purely on popular culture, the Great war was not won but fizzled out in an Armistice, whether in a hail of bullets in no man’s land in Blackadder or with the tunnellers still under the static trenches in Bird Song. However, a visit to the Battlefields around St Quentin bears witness to the violent climax to the First World War on the Western Front. In March 1918, Manchester Hill, captured by Wilfred Owen’s battalion the previous spring, was occupied by the 16th Battalion the Manchester Regiment, understrength and exhausted from the Passchendaele campaign. This was one of the British redoubts isolated by German storm troops on the first day of the Kaiserschlacht and where its commanding Officer fought to the death, and was subsequently
awarded the Victoria Cross. The Hindenburg Line positions north of St Quentin stormed by the British, Australian and American troops 28 September-3 October 1918, are still very visible and provide evidence of the story of the allied determination, skill and courage that overwhelmed the Germans in 1918. At this point the German defences were based on the Canal du Nord, a major obstacle protected by barbed wire and concrete bunkers. The tactical problem can be compared with the D Day landings. The bridge at Riqueval, seized by Captain Charlton and nine men can be compared to the capture of Pegasus Bridge on D Day. It is one of the most evocative places, and captured on a camera.
The fighting did not end at the canal. The concrete bunkers of the Hindenberg line are much better preserved than the earthworks of the Somme. The BBC TV Programme ”Who Do You Think You Are?” featured Matthew Davis the descendent of William Henry Johnson VC winner seeking the story of his ancestor. http://www.bbc.co.uk/news/magazine-23109590
Close to here, at Mannequin Hill, N.E. of Sequehart, Lance Corporal William Harold Coltman, of 1/6th Bn, North Staffordshire Regiment, carried out the actions for which he was awarded the Victoria Cross. William Coltman, whose Christian beliefs would not allow him to kill another man was Britain’s most highly decorated serviceman of the First World War ( 1914-1918 ). In the last two years of the war he was awarded the Victoria Cross, Distinguished Conduct Medal twice, and Military Medal twice, acting as a stretcher-bearer.
THE AISNE – THE BIRTH OF TRENCH WARFARE
South of Laon is the area of the Aisne battlefields. The department included the battlefield is bordered by the city of Soissons in the West and Berry au Bac in the East, and stretches as far south as the River Marne and the city of Laon in the North. The countryside is a little more alien for the British visitor. The Somme Battlefields are geologically similar to Southern England and the rolling countryside and large fields are similar to the landscape of Hampshire. Much of the fighting centred on the high ground North of the river Aisne. The heights are often referred to by the name of the road along the heights, the Chemin des Dames.
The War first came to the area in September 1914 as the French and British armies fell back south pursued by the Germans. The German Schlieffen plan finally unravelled in the battle of the Marne between 5-12th September 1914 and the Germans pulled back. When the allies advanced north many could be forgiven for thinking that this war was nearly over. There had been an advance, a big battle and now the invaders were in full retreat. But, when the British Expeditionary Force (BEF) crossed the river Aisne, they found the Germans dug in on the spurs on the high ground overlooking the rive Aisne and supported by plentiful artillery. Despite heroic efforts in over a week of fighting, the BEF were unable to dislodge the Germans and both sides had started to dig trenches. Field Marshal Sir John French, the commander of the BEF wrote to the king “I think the battle of the Aisne is very typical of what battles in the future are most likely to resemble. Siege operations will enter largely into the tactical problems – the spade will be as great a necessity as a rifle”
There is a lot to see in the area from the BEF experience on the Aisne. The ground itself is evocative, and much as it was in 1914. You can still see the bridging site where the Royal Engineers bridged the river next to the damaged bridge. The story of the BEF can be traced on the landscape and past the cemeteries with the reminders of the costs.
THE CHEMIN DES DAMES –1917 THE CALVARY OF THE FRENCH ARMY
The Chemin des Dames area was the site of the disastrous Neville Offensive in May 1917. The newly appointed commander of the French Army, General Robert Neville, thought that he had discovered the secret of the offensive based on the experience of successful limited attacks on the Somme and Verdun. He massed hundreds of guns and the cream of the French army, including tens of thousands of African soldiers. Unfortunately for Neville and the French army, the Germans had tunnelled deep into the ground, developed defences in depth and found out when and where the attack would take place. After several days bombardment the attack started under atrocious weather conditions, for May. After 135,000 casualties the French troops had had enough. There were mutinies in several regiments. They were strikes really, with soldiers protesting about ill planned attacks, poor food and no leave.
The saviour of Verdun, General Petain was appointed as Commander in chief of the army. He is credited with restoring discipline and confidence to the French Army. He did so with a mixture of carrot and stick. He instigated improvements in pay and leave arrangement, and perhaps most significantly, he cancelled further major offensives. This allowed the French army to recover its confidence in its commanders through a series of carefully planned and executed limited offensives. One of these, in November 1917 took place in the area around Fort Malmaison on the Aisne and resulted in the Germans withdrawing from the Chemin des Dames, the objective on the first day of the Neville offensive. The other implication of the French Army mutinies was that the burden of warfare on the West would have to be borne by the British until the American army could be mobilised and brought to Europe.
Arguably the 1917 mutinies had another legacy, in the French army of the Second World War. There is a comparison with Verdun. Verdun is a story of determination and sacrifice characterised by “They shall not pass”. The Chemin des Dames is where the French army reached the limits of endurance. It can be characterised by the bitter words of the Chanson de Craonne. ” It’s in Craonne up on the plateau That we’re leaving our hides ‘ Cause we’ve all been sentenced to die. We’re the ones that they’re sacrificing.”
There is a lot to see on the Aisne battlefield from the 1917 battles. The battlefield itself, like much of the
area around Verdun was deemed to be too devastated to be restored for agricultural use and designated a “Red Zone.” Although subsequently much agricultural land has been recovered, there are still tracts of the battlefield preserved as it was at the end of the First War, with the ruins of abandoned villages such as Craonne. There are also plentiful interpretive panels and panoramas relating the landscape of the battlefield. One focus for interpretation is the Cavern de Dragons, a quarry that became the scene of underground fighting. This contains an imaginative museum and guided tour.
There are also some evocative memorials each of which tells something of the French army. One memorial has a statue of a French soldier of 1814 alongside one of 1914; a reminder that this was also the site of one of Napoleon;’s last victories.
A group of elegant dark statues represents the spirits of the African soldiers who suffered so heavily in 1917. There is also a memorial to the first use of tanks by the French Army at Berry au Bac.
THE BRITISH ON THE AISNE IN 1918
The troops that made up the Ninth British Corps were singularly unlucky during 1918. As mentioned earlier, the Germans launched a series of offensives to try to win the war before the American Army appeared in numbers. The first offensive was between St Quentin and Arras on 21st March and took the Germans to within a few miles of Amiens. The second, the battle of the Lys, in April took the Germans close to undermining the Britsh in Flanders. In these five weeks the British Army had taken over 230,000 casualties, about the same as in the four month Passchendaele campaign. Five of the most battered British formations were transferred to the Aisne front, which had been a quiet sector since 1917. And so when the Aisne became the target of the German “operation Blucher.”, the plateau of California and Craonne was defended by the 4th Battalion the East Yorkshire Regiment of the 50th Northumberland Division. The resulting battle saw the British and French pushed back 25 miles to the river Marne. The 2nd Battalion the Devonshire Regiment and 5 Battery RFA distinguished themselves by the heroic defence of the Bois de Buttes despite being attacked by storm-troopers supported by tanks. Both units were awarded the Croix de Guerre which now is worn by all soldiers in 5 Gibraltar Battery RA and the Rifles. One of the best accounts of the fighting on the Aisne is published as “The Last of the Ebb:The Battle of the Aisne, 1918” by Sidney Rogerson Greenhill Books/Lionel Leventhal
BIG CASTLES AND BIG GUNS
The hilltop village of Coucey has a particularly fine ruined château and the remains of town walls. But it’s ruin is a story of the First World War. Before 1914 the château of Coucey was the largest in France and a major tourist destination. But in 1917 it lay in the zone that the Germans were planning to abandon and was destroyed in what in retrospect seems spiteful vandalism. On the outskirts of Coucey is a different sort of structure. In the forest is a concrete emplacement for a giant gun used by the Germans for shelling Compiegne 20 km away.
THE 1918 BATTLEFIELDS OF THE MARNE – WHEN THE AMERICANS SAVED PARIS FRANCE AND WON THE WAR
On two occasions in the First World War the Germans nearly reached Paris. It was the high point of the German advances in 1914 and in 1918. The battles which saw the repulse of these attacks are both known as the Battle of the Marne. The turning point was the deployment of American troops on the Marne in June and July 1918. The Americans played a big part in halting the Germans on the Marne at Château Thierry, which is home to the impressive US Châteaux Thierry monument. Not far away is Belleu wood, which is where the US marines attacked in 1918. This battlefield has been preserved and it and the neighbouring US American Battle Monuments Commission Cemetery and the German cemetery are reminders of the part America played in the First World War.
Just how well can you describe what you are looking at to someone else? Telling a story about the landscape is at the heart of battlefield guiding. But how sure can guides be that this audience has understood exactly what they are talking about? Just because the audience nods sagely when the guide asks if everyone understands doesn’t mean they all do. But, unless the members of the audience all know what the guide is talking about, they will go home with an inaccurate picture.
On a recent Introduction to Battlefield Guiding course we conducted an experiment to see how easy, or difficult it is for guides to identify exactly what points on the ground they are talking about. A panorama of the battlefield of Flodden was projected onto a screen. Students were asked to point out some of the locations to an audience relevant to telling the story of the Battle of Flodden. Each student was given a sheet of paper with a copy of the panorama and asked to mark on the panorama where they thought the locations being described were. The results are shown in the illustration 1.
The overall results are shown in Illustration 1. The students describing the locations lettered A-F were given a sheet with one of the pink lines. The yellow,and black letters A-F show where other students positioned these points. This is a bit crowded, but as you can see, there is quite a bit of variation in almost each location. Some locations are easier to describe than others. We should not be too critical of our experimental subjects. The task might have been easier if the audience members had a map in front of them. However, not everyone can read a map and relate it to the ground.
Although the task of indicating positions on the ground is a common and obvious task for a guide, it asks a lot of the collective brains of the guide and audience. We are asking someone to look at a visual image and describe it in words which the audience then uses to construct their own image. (See Illustration 2.) If we want to understand what some artist such as Constable saw it is far easier to look at the Hay Wain than to visualize the work from a description. Visual and verbal communication are processed in different ways, and even by different parts of the brain. Words may have a different meanings for audiences with a range of linguistic skills and vocabularies.
The answer may lie in making more use of panoramas, i.e. an annotated sketch of the landscape from the observer’s position. A couple of hundred years ago, when armies were starting to become professional, field sketching was a key skill for officers. The current issue of the Sandhurst Foundation’s “Wishstream “ magazine has an article about the staff of the Royal Military Academy in 1813. Until Ordnance survey maps became common, a sketch was the norm for pointing out the ground. The National Army Museum has a water-colour that is claimed to have been used on the battlefield of Waterloo.
In the Second world war it was not unknown for senior officers to practice the art.
and even 1980s Cold War warriors were expected to draw an OP panorama.
There is a secret behind Illustration 2 which means that the local guide, Clive Hallam Baker, shown addressing the Battlefields Trust Annual Conference in April 2013, can be happy that his audience know the ground as he describes the ground. The battlefield of Flodden has excellent interpretation boards showing panoramas illustrating the battle.
So perhaps battlefield guides should consider using panoramas as visual aids. On most occasion guides know where they will wish to stop and talk. Modern cameras, mobile phones and tablets can capture panoramas; and Google street view allows for a “Virtual recce”. The problem posed our experimental subjects would have disappeared if the audience had been given a panorama like this one, generated in 20 minutes.
The Heritage Lottery Fund (HLF) scheme for small community projects for the First World War Centenary announced on 16th May 2013 can be used to support travel to battlefields and memorials outside the UK.
This was not highlighted in the launch announcement nor in the newspaper reports. However, it is clear from the Heritage Lottery Fund’s own website that projects which meet certain criteria will be eligible for for HLF funding. The HLF recognises the value of travel to battlefields and memorials in deepening people’s understanding of the war and its impacts. However, any visit must be linked to activities in the UK, must enhance peoples experience and learning, while not being the main focus of a project. HLF also expects a bidder to demonstrate that the cost of the activity abroad is as reasonable as possible, that there is a genuine need for the funding, and that travel will deliver outcomes in proportion to the funding requested.
Here are the relevant paragraphs from the HLF Q&A page . (Note this page has been replaced and briefing information is now here )
Can our application include costs for travel and activity outside the UK?
Yes, if your project is based in the UK.
We will fund the cost of travel and activity outside the UK (including the cost of bringing people to the UK) if there is a clear rationale for it in the project, it contributes to outcomes for heritage, people and communities in the UK and offers value for money.
What costs can you cover outside the UK?
We can consider any costs that are associated with your project activities – this could include for example, travel, accommodation, insurance, or activities in museums or heritage sites involving people from the UK.
We ask that you explore how you can make the cost of your activity abroad as reasonable as possible. For example, you could send a small group of people to explore the heritage on a research trip who could then come and feed back to the rest of the group, or you could pay to bring people to the UK to share their expertise and insights. In order to fund travel and activities abroad, you will need to demonstrate that there is a genuine need for the funding, and that the additional outcomes achieved are in proportion to the funding requested. Some questions we might ask are:
To what extent does the travel outside the UK enhance people’s understanding and learning, or broaden their perspectives of the war?
Could this level of understanding be achieved in a lower-cost way?
Will the travel and activity abroad enhance the long-term outcomes of the project? For example, will it result in long-term relationships which will result in new understandings of the war and its impacts?
Are you contributing any partnership funding?
Can we get a grant to take a group to visit the former battlefields and cemeteries in Europe?
We recognise the value of visiting a site, and that this can deepen people’s understanding of the war and its impacts. You should show that a visit is linked to activities in the UK, and that it will enhance people’s experience and learning. The visit should not be the main focus of a project.
If the main activity and cost in your project is visit abroad, then the project is unlikely to offer good value for money.
Can HLF provide funding for projects outside the UK?
No. Money raised through the National Lottery can only be invested in projects based in the UK.
This is very welcome news and should enable communities to draw on the battlefields themselves as a resource for the centenary commemorations. The Observation Post has been making the case for this funding ever since the Great War Commemorations were first discussed in 2011 and established the Men Behind the Memorial project to draw attention to the potential of the battlefields to develop our understanding of the War and its context.
Baldwin Battlefield Tours is developing a Centenary Advisory Service to support Community Groups with military historians and other resources to enable them to make the most of the Battlefields as part of their First World War Centenary Projects.
The London based adult education organisation CityLit are running 1 two day “Introduction to Battlefield Guiding” course as part of the 2013 Summer School. The course tutor is Frank Baldwin, owner of the weblog www.theobservationpost.com who put forward the course. It is aimed at anyone who is interested in becoming a battlefield guide.
What sort of people are interested in becoming battlefield guides? Historically battlefield guides have either been veterans, historians or a sub set of professional tour guides who specialised in military destinations. But this is no longer true. There are lots of people inspired by military historians such as Richard Holmes and Dan Snow. Since the 1980s military history has become a popular subject in Britain both with the public and as an academic subject. A lot of people are interested in military history. (About 35% of men and 10% of women if research commissioned in 2006 is to be believed)
Tourism is one of Britains’ largest export industries. We are good at this more and more travel is geared towards heritage and cultural tourism. In a life time of work which we now expect to extend to the full three score and ten this is an activity that allows someone to make money from a hobby. For most guides it is something that can be more than a hobby but less than a career. It fits well with a portfolio career.
We are also likely to need more guides too. There is a lot of potential interest generated by interest in the Great War, in particular from people and groups who will be seeking to know more about what happened to particular soldiers www.menbehindmemorials.com rather than a tour of the edited highlights of the Western Front. Britain’s own battlefield and military heritage is under developed. There hundreds of sites of battles, sieges , skirmishes and military installations with fascinating stories behind them , just waiting for a good story teller to bring them to life.
Heritage tourism is a serious industry and battlefield guides are expected to provide a professional service. Customers expect high standards from all aspects of the service they receive in an industry which is regulated to protect the public. Anyone delivering a service to the public has legal obligations, which could be painful in our litigious world. Anyone seeking to employ a guide needs to know that the guide knows their subject matter, can present information well and knows how to look after the customer, and by implication the interests of an employing tour operator.
Someone wishing to be a professional tour guide in the UK is advised to become a Blue Badge guide via the scheme managed by the Institute of Tour Guiding. This involves two years of study of the culture and heritage of particular regions through organised instruction, followed by examinations which qualify the guide to be listed as a Registered Guide, and costs around £5,000 in tuition and examination fees. While this is excellent preparation for taking visitors around the sights of Britain, it is less useful if the purpose of becoming a guide is to lead tours to the battlefields of the World Wars. It is also overkill for someone who just wants to be able to lead visitors to a local battlefield on behalf of the Battlefields Trust or a local battlefield society.
Ten years ago, in 2003, a group of battlefield guides, under the patronage of Richard Holmes and John Hughes Wilson, set up The Guild of Battlefields Guides (GBG). The aims of the Guild are to analyse, develop and raise the understanding and practice of battlefield guiding, provide an environment to meet fellow guides and share information, expertise and knowledge. Guild members seeking to demonstrate their competence as a guide undertake series of practical and written assignments that form a validation system developed by a team headed by educationalist and military historian Dr Chris Scott. Guides who pass the standard set are awarded a badge that shows that they have demonstrated their competences in military knowledge, presentation skills and customer care to their peers.
The GBG members have chosen not to seek accreditation for the GBG Validation programme by an academic body, in order to minimise the costs to members. The Guild does not provide training in the Guiding competences. It was established to validate the standard of working guides. Guides will be expected to undertake self study or develop their skills and knowledge through their work either as battlefield guides or through related skills derived from military service or academic research.
For people seeking to become a battlefield guide this presents a Catch 22 problem. How is a guide expected to gain experience? – Through work. How does a guide obtain work – though demonstrating their experience. Many prospective guides will already have a lot of the relevant knowledge and competences. However, even with good knowledge of military history, good communication skills and customer services experience, it helps to understand the terminology and the nuances of the trade.
The City Lit Course is intended as an introduction to becoming a battlefield guide. It takes far longer than two days to learn the professional knowledge or develop the practical skills expected of a competent guide. It will give prospective guides an idea of the standards expected and an opportunity to assess their own training needs and prepare a plan to aquire the skills they need, through personal study or by undertaking some further training.
The course does not form part of the Guild of Battlefield Guides Professional Development Programme. Please direct any questions about the course to CityLit via the details on the course programme here
Military history, Battlefield heritage and Touring